Varun Dhawan and Sara Ali Khan starrer Coolie No 1 goes on floor in Bangkok
Varun Dhawan, who recently wrapped up Street Dancer 3D, is all set to kick-start his next project, Coolie No 1. After the debacle of Kalank, the actor completed the Remo D’Souza directorial. Now, he will reunite with his father on the 90s remake. Sara Ali Khan will be starring him opposite him. And the film has finally gone on the floor.
Farhad Samji, the writer of the film, shared a video clip with a team member while sporting the Coolie No 1 badge. He announced that it was their first day on the project in Bangkok. He captioned the post as, ‘1st Day shoot of Coolie No. 1 ???? @varundvn @saraalikhan95 #daviddhawan @jackkybhagnani @poojafilms #vashubhagnani #varundhawan #saraalikhan #davidsir #writing #script #dialogues #coolieno1 #manojmitra #journey #emotion #happiness.”
Coolie No 1, directed by David Dhawan, originally starred Govinda, Karisma Kapoor and Kader Khan. The film featured some of the iconic songs including ‘Husn Hai Suhana’ and ‘Main Toh Raste Se Ja Raha Tha’. The two songs will be recreated in Varun Dhawan starrer. The film is set to release on May 1, 2020 which is labour day.
Kareena Kapoor Khan wants son Taimur Ali Khan to become a cricketer
One would only expect Taimur Ali Khan to follow the footsteps of his successful parents Kareena Kapoor Khan and Saif Ali Khan and become an actor. With the paparazzi making the star kid a social media star, Taimur already has an enviable fan following.
However, in a recent episode of the dance reality show Dance India Dance, Kareena Kapoor said that she would like Taimur to follow her grandfather’s footsteps and get into sports. Kareena Kapoor, who is judging the dance reality show was in a conversation with cricketer Kapil Dev and revealed about her dreams for her son. Kapil Dev, who was on board with this idea, presented Kareena with a signed bat for Taimur.
Saif Ali Khan’s father Mansoor Ali Khan Pataudi was the captain of the Indian cricket team during the 1960s. Saif Ali Khan, too, is a sports enthusiast and is often spotted watching cricket matches live at the stadium.
Recently, a picture of Taimur Ali Khan wearing the Indian cricket team jersey had gone viral. In the picture, Taimur was seen celebrating India’s win against Pakistan. He was saluting while looking at the camera.
After selling their LA pad for $6.9 million, Priyanka Chopra and Nick Jonas looking for $20 million house
It seems like the Jonas couple is ready to shell a whopping amount for their new pad. Priyanka Chopra, who has her own apartment in New York, flies between Los Angeles and NYC since Nick Jonas stays in LA. Before the marriage, Nick had spent $6.5 mn on his bachelor pad at Beverly Hills. Now, the American popstar has sold his mansion for a whopping $6.9 mn.
As per reports, Priyanka Chopra and Nick Jonas are ready to spend $20 million on their new house. The hunt is still on and they haven’t settled on any house yet. It is also being said that afford $20 mn as Nick’s worth is a reported $25 million, and Priyanka reportedly is at $28 million.
On their respective work fronts, Nick Jonas is set for ‘Happiness Begins’ tour with Jonas Brothers’. Priyanka Chopra will be next seen in The Sky Is Pink, which also stars Farhan Akhtar and Zaira Wasim.
An institution falls: J Om Prakash no more
To anyone who refers to the iconic producer-director J Om Prakash as Hrithik Roshan’s maternal grandfather, one can only say, ignorance is bliss. J Om Prakash blazed a glorious trail with his superhit slew of films from 1961 when he first produced the Rajendra Kumar-Vyjanthimala starrer Aas Ka Panchi. The film and its songs were runaway hits and Omji was back producing Ayee Milan Ki Bela three years later, again a hit.
With Aaye Din Bahaar Ke and Aaya Saawan Jhoom Ke (both featuring Dharmedra and Asha Parekh) following in quick succession , Omji acquired the reputation of a hit machine with chartbuster music largely composed by Laxmikant-Pyarelal. In 1972 Omji produced Aankhon Aankhon Mein with his son-in-law Rakesh Roshan in the lead. But somehow Omji films with his son-in-law never clicked, and that goes for Aakhir Kyon and Aap Ke Saath as well.
The big superhits of J Om Prakash in the 1970s starred Jeetendra. Beginning with Apnaapan in 1977 J Om Prakash and Jeetendra teamed up for four other films including the 1980 blockbuster Asha. “We had a terrific rapport,” Jeetendra recall fondly.
Asha Parekh who did two back-to-back hits Aaye Din Bahaar Ke and Aaya Saawan Jhoom Ke with Omji remembers him as a gentleman. “He was soft-spoken and very knowledgeable about cinema specially music. The songs in the two films I did with him were all big hits.”
Omji worked with many major stars including Rajesh Khanna in Aap Ki Kasam, Aakarman and Aakhir Kyon. But his favourites were clearly Jeetendra and Reena Roy. While the world saw Reena as a oomphy glamour girl Omji cast her in strong dramatic parts in Apnaapan , Asha and Aadmi Khilona Hai.
In 1974, after producing a gallery of hits as a producer (including, believe it or not, Gulzar’s Aandhi) Omji finally turned director with the hit Aap Ki Kasam, featuring Rajesh Khanna and Mumtaz. To this day this film is remembered for its scintillating soundtrack by R D Burman including ‘Karvatein Badalte Rahe’ (shot in Kashmir), ‘Jai Jai Shiv Shankar’ and the quasi-philosophical Kishore Kumar classic ‘Zindagi Ke Safar Mein Guzar Jaate Hain Jo Muqaam Wohphir Nahin Aate’.
In his distinguished 40-year career as a movie maker J Om Prakash broke many rules and also made new rules. If he directed a disaster called Aashiq Hoon Baharon Ka in 1977 (shot in foreign locations with Rajesh Khanna and Zeenat Aman) he also produced and directed the monster hit Apnaapan during the same year.
Prolific and passionate, Omji’s cinema is far more valuable than we think.
Chartbusters from the films of J Om Prakash
1. ‘Tum Roothi Raho Main Manaata Rahun’ (Aas Ka Panchi)
2. ‘Tumhe Aur Kya Dun Main Dil Ki Siwaai’ (Aayee Milan Ki Bela)
3. ‘Suno Sajna Papihe Ne’ (Aaye Din Bahaar Ke)
4. ‘Resham Ki Dori’ (Aaya Saawan Jhoom Ke)
5. ‘Jai Jai Shiv Shankar’ (Aap Ki Kasam)
6. ‘Tere Bina Zindagi Se Koi Shikwa’ (Aandhi)
7. ‘Aadmi Musafir Hai’ (Apnaapan)
8. ‘Sheesha Ho Ya Dil Ho’ (Aasha)
9. ‘Pardes Jaa Ke Pardesia’ (Arpan)
10. ‘Dushman Na Kare Dost Ne Wohkaam Kiya Hai’ (Aakhir Kyon)
J. Om Prakash: Ever a student
He was much more than just Hrithik Roshan’s maternal grandfather as today’s generation may know him. J. Om Prakash was a unique personality. Son of a humble Lahore schoolteacher from pre-Partition days who rose to become an educationist, he took to heart his father’s dictum that in life, whatever one may achieve, one must always remain a student.
And so his cinematic journey ended with distinction not just as a filmmaker but also in the industry. He was President of IMPPA, the Film Producers’ Guild for six years continuously, and also headed the Film Federation of India, in which capacity he visited the Cannes Film Festival in 1999 and got special appreciation for his views about whether stars should share a film’s intellectual rights.
He had also been a trustee of artistes’ welfare funds and on the advisory panels of the Directorate of Film Festivals and Central Board of Film Certification and a lecturer at the Pune Film Institute. He was awarded for Lifetime Achievement by the Asian Guild Of London in 2004.
As for his cinema, his films were family entertainers, often with messages on life. When I met J. Om Prakash way back in 2006, his sanctum sanctorum was full of trophies and photograph albums. His picture with Lata Mangeshkar stood next to a big plasma TV screen. When I met him again in 2017, his memory was not what it was, but he still had the clarity to inform me that he bought his Juhu bungalow only because his favourite hero, Dharmendra, told him to pay his last instalment after their film Aya Sawan Jhoom Ke (1969) was released and use the money to buy the house now!
Om-ji worked at a film distributor’s office in Lahore, moving up from clerical jobs to manager. After Partition, he landed in Mumbai, sleeping nights in trains. Because of his accounting skills, he got a job with the late Mohan Segal, who was then making New Delhi. He lived in a chawl in Mumbai’s Chinchpokli area and developed friendship with fellow-inmate Rajendra Kumar, making a mutual promise to work together!
One day, Om-ji got an offer from a financier to produce a film and the result was the beginning of his top banner Filmyug and a big setup Aas Ka Panchi with Vyjayantimala, Rajendra Kumar, Shankar Jaikishan, Hasrat Jaipuri and Shailendra. He also signed on Mohan Segal’s assistant, the late Mohan Kumar, as a director. Later, Mohan Kumar and he have married sisters.
Around this time, Om-ji happened to read the review of a Malayalam film in Blitz and was inspired by this story of a woman whose fidelity is doubted by her husband. By the time he realizes his mistake, it is too late. This was exactly the kind of different social subject he was looking for to become a director. But he wisely decided to wait until Filmyug was consolidated as a banner. And that took a decade, and was to be Aap Ki Kasam!
He then delivered a bevy of hits as producer in Ayee Milan Ki Bela, Aaye Din Bahaar Ke, Aaya Sawan Jhoom Ke and Aan Milo Sajana, introducing talents like directors Raghunath Jhalani in the second film and Mukul Dutt in the last. And when he finally made his debut as director with Aap Ki Kasam, B.R.Chopra called him up to say, “This does not look like the first film of a director. It has the touch of a veteran.”
Om-ji does not exactly recollect how he became the first filmmaker to have an ‘A’ fixation in his titles. There were only two exceptions in the 20-plus films he made—Raja Rani and Bhagwan Dada.
Om-ji always believed in being involved with every aspect of a film—the script, music, sets, camerawork, editing and even costumes. As a director, he had a good record with Apnapan, Aasha and Aakhir Kyon? And his films were meant for family audiences.
“My heroines, even in the 1980s, wore sleeved blouses. Back in my school and college days, I would play the harmonium for stage plays. Qateel Shifai and Faiz Ahmed Faiz were my friends and I would also attend mushairas and read their books as I came to love Urdu. From there came my sense of lyrics and music. In fact I would often suggest thoughts to my lyrics writer and gave the rare mukhda to my music directors.”
A man with an unerring ear for lyrics and music, Om-ji worked in 13 films with lyricist Anand Bakshi and 12 movies with composers Laxmikant-Pyarelal, besides getting the best out of his rarer composers like Shankar-Jaikishan, R.D. Burman and Rajesh Roshan and other songwriters. He had a very good word to say about Kalyanji-Anandji, who scored the music for his unreleased Sahara. “Today, when Saregama gives a 10 percent royalty to the producer, I comfortably get about Rs 15-20 lakhs annually! This shows how being particular about music helps,” he told me.
The cult songs from him are legion—‘Tum Kamsin Ho Nadaan Ho’ (Ayee Milan Ki Bela), ‘Khat Likh Le Sawariya Ke Naam’ (Aaye Din Bahaar Ke). ‘O Maanjhi Chal’ (Aaya Sawan Jhoom Ke), ‘Accha To Hum Chalte Hain’ (Aan Milo Sajana), ‘Yeh Mausam Aaya Hai’ (Aakraman), ‘Zindagi Ke Safar Mein’ (Aap Ki Kasam), ‘Sheesha Ho Ya Dil Ho’ (Aasha), ‘Ek Andhera Lakh Sitaren’ (Aakhir Kyon?) and many more.
Among stars, he had excellent relations with all the top names he worked with, and usually more than once—Rajendra Kumar, Sanjeev Kumar, Rajesh Khanna, Jeetendra, Asha Parekh, Reena Roy and Smita Patil among others. And one actor, Rakesh Roshan, ended up marrying his daughter Pinky.
As we have seen, J. Om Prakash is much more than the grandfather of Hrithik Roshan! As he put it, “Bhagwan Dada was a landmark film for me. Hrithik had a small role as a kid in that film and I was good enough a judge of talent to realize that he was super-star material 15 years before Kaho Naa…Pyaar Hai. Today, I realize with great joy that I was right, and that no actor of his generation can touch him!”
He also raves about son-in-law Rakesh Roshan, who “actually gifted me a room in his Filmkraft Productions office, and designed everything, taking the trouble of bringing all my things and arranging them immaculately here, from my trophies to my smallest personal stationery.”
The eternal student is no more, but has given so much for others to learn.
“I’m constantly hungry for great content!” – Bhumi Pednekar
Bhumi Pednekar with her incredibly brilliant film choices and superb acting skills has become a force to reckon among all young actors. Just 4 film old, Bhumi now has back to back six films releasing in the next 12 months and she maintains that she is constantly hungry for good cinema.
“As an artist, I’m constantly looking for good scripts. I’m constantly hungry for great content and thankfully, I have been fortunate enough to get the trust of some of the best film-makers in our country. My next films are also scripts that are extremely diverse and are brilliant scripts that I truly love. Each one of them are projects that will present me in extremely different avatars and that’s what excites me to do cinema. I get to be such diverse characters, learn about them, live their lives and become them,” says Bhumi .
The versatile actress adds, “Audiences are only consuming good cinema and it is a great time to be an actress. From my first film, I have done characters that are strong and have a major impact on the story of a film. I wouldn’t have chosen to do these films if they were any different. I’m really excited about my next set of films because they have given me super exciting and memorable characters too portray. I’m in a great phase of my career and I want to keep doing my best with every single film that I do.”
Her current line up looks like this. Bala is a social satire on pre-mature balding, Dolly Kitty Aur Wo Chamakte Sitare is a drama about dreams and aspirations of women, Saand Ki Aankh is a biopic in which she plays the world’s oldest sharpshooter from India, Pati Patni Aur Woh is a romantic comedy and the multi starrer Karan Johar epic Takht in which Bhumi has a very significant role. Each of these films and roles will showcase Bhumi’s versatility as an actor. It has been a while since Hindi cinema has had a leading lady with such diverse acting range and ability to tackle multiple roles.
Batla House: John Abraham, Mrunal Thakur, Nikkhil Advani meet Vice President Venkaiah Naidu in New Delhi
John Abraham is currently promoting his upcoming film, Batla House starring Mrunal Thakur among others. The film is based on real-life event. While promoting the film in New Delhi, team Batla House met Vice President Venkaiah Naidu.
The official Twitter handle of Vice President of India shared the photo with team Batla House which featured John Abraham, Mrunal Thakur, director Nikkhil Advani, producer Bhushan Kumar among others. “Actors Shri John Abraham and Shri Mrunal Thakur along with the Director Shri Nikkhil Advani and the team of the film #BatlaHouse called on me, in New Delhi today. @TheJohnAbraham @mrunal0801 @nikkhiladvani @BatlaHouseFilm,” the post read.
John Abraham wrote, “Privileged to have met the honorable @VPSecretariat ????????and show him glimpses of our film #BatlaHouse.”
Batla House is based on the Operation Batla House encounter. John Abraham plays the role of police officer Sanjeev Yadav. The film will release on Independence Day.
Way back Wednesday: Young Suhana Khan and Shanaya Kapoor look cute in this throwback image
Shah Rukh Khan and Gauri Khan’s daughter Suhana Khan has become quite a sensation on social media. After featuring on the cover of a reputed magazine, and of course with constant social media posts, Suhana has developed a fan following of her own. While Suhana is busy posing for the camera lens, Maheep Kapoor recently shared a throwback image in which Suhana and Shanaya Kapoor look totally unrecognizable as little kids sitting at an event with their mothers.
Sharing the image on her Instagram handle Sanjay Kapoor’s wife Maheep tagged the post saying, “#Squad”. Interestingly, the image which sees Seema Khan, Maheep Kapoor and Gauri Khan attending an event also features Suhana and Shanaya as kids sitting on their mothers’ laps. If the image itself isn’t enough, Ananya Panday who recently made her Bollywood debut, and is close friends with Suhana and Shanaya commented on the image saying, “Kinda missing me???”.
On the Bollywood front, while Suhana Khan who has expressed her desire to enter the world of films is still a long way from making her debut, Shanaya has in fact started off as an assistant director on Janhvi Kapoor’s film.
Sushma Swaraj passes away; Bollywood mourns the loss of BJP stalwart
In one of the most devastating news, the nation lost their beloved leader Sushma Swaraj on August 6. The minister suffered cardiac arrest and was taken to AIIMS, New Delhi. The former external affairs minister and senior BJP leader was 67. A glorious chapter in Indian politics comes to an end. India grieves the demise of a remarkable leader who devoted her life to public service and bettering lives of the poor. “Sushma Swaraj ji was one of her kind, who was a source of inspiration for crores of people,” Prime Minister Narendra Modi said in a series of tweets.
Bollywood celebrities took to their social media to pay respects to Sushma Swaraj who was not only a beloved politician but also an inspiration to many. She went beyond politics to help many in need and thus, became one of the finest leaders this country had ever seen.
Celebrities including Anil Kapoor, Arjun Kapoor, Ayushmann Khurrana, Anushka Sharma, Boman Irani, Riteish Deshmukh among others paid tribute to the leader who stood tall.
Exclusive: Ajay Devgn turned down Satte Pe Satta remake and will NEVER do an Amitabh Bachchan remake!
Recently, we had informed you that Sohail Khan was keen to make the remake of Satte Pe Satta (1982), with his brother Salman Khan playing the main lead. Now we have heard that after Salman, even Ajay Devgn, had been approached to play the lead but he firmly and categorically refused. The original Satte Pe Satta (1982) was produced by Romu Sippy and directed by Raj N Sippy and the remake rights are said to be with Rajesh Vasani, of movie marketing firm, Paras Publicity Services.
Says a trade source, “Recently, Hrithik Roshan confirmed that he is in talks with Farah Khan for her next movie, the remake of Satta Pe Satta, produced by Rohit Shetty, but after Sohail Khan’s deal with Rajesh Vasani fell through, Ajay Devgn was approached to play Amitabh Bachchan’s role (Ravi Anand). But Ajay was firm on the issue that he would never do a remake of the Big B and explained to the producers why he would not do a Big B remake. At that time, though Rohit Shetty was not producing the movie, even then Ajay would have turned it down. Ajay is a man of principles. Even when a producer or director approaches Ajay for a movie, he knows another actor has been approached for too, he makes it a point to call up the other actor and ask him before he gives his own nod to the project.”
The source adds that the younger star is extremely close to the Bachchan family and like Abhishek Bachchan is clear that he will never be a part of an Amitabh Bachchan remake. “It’s a double role and Ajay would have been perfect to play the older brother and the impersonator Babu with grey shades so it would have been challenging role for any actor to play. Ajay has tremendous respect and affection for Bachchan Senior. Also, he considers Abhishek to be like a younger brother, to do a movie which could put stress on the relationships. Ajay was one of the few stars to attend Abhishek marriage. While Shah Rukh Khan has done Big B’s Don (1978) remake directed by Farhan Akhtar (2006), if Hrithik gives the nod to Farah’s Satte Pe Satta remake, it will be his second Amitabh Bachchan movie remake. Hrithik had done the remake of Big B’s Agneepath (1990) directed by Mukul S Anand. Hrithik’s 2012 Agneepath remake was directed by Karan Malhotra.”
Satte Pe Satta is about seven brothers (orphans), living on a farmhouse, led by their oldest brother Ravi Anand (Amitabh Bachchan), who are taught manners and etiquette by a nurse Indu (Hema Malini). But everything becomes chaotic when Ravi’s lookalike and impersonator, Babu, turns up. Apart from Amitabh Bachchan and Hema Malini, Satte Pe Satta (1982) featured Sachin, Shakti Kapoor, Paintal, Sudhir, Inderjeet and Vikram Sahu as the rest of the six Anand brothers and Amjad Khan, Ranjeeta Kaur, Sarika, Kanwaljit Singh, Prema Narayan, Mac Mohan and Kalpana Iyer in other roles. The movie is an adaptation of the American musical film Seven Brides for Seven Brothers.
This video Kartik Aaryan hugging Sara Ali Khan while he drops her at Lucknow airport is going viral
Ever since Sara Ali Khan confessed that she would like to date Kartik Aaryan on Koffee With Karan 6, the netizens have been spotting them together on various occasion. While they are already starring in Imtiaz Ali‘s romance drama which is reportedly a sequel to Love Aaj Kal, the rumours around their relationship are increasing day by day.
Just a day ago, Sara Ali Khan was seen at the Lucknow airport and Kartik Aaryan came to drop her. The actor has been shooting for Pati Patni Aur Woh and the actress was seen spending time with him. A video has been doing the rounds on the internet in which Kartik can be seen hugging Sara as he drops her at the Lucknow airport. Now, this video definitely adds fuel to fire.
Coming back to their film which is reportedly titled Aaj Kal, it is set for February 14, 2020 release. Jio Studios, Dinesh Vijan’s Maddock Films, Imtiaz Ali & Reliance Entertainment’s Window Seat Films will present the film.
Chiranjeevi and Amitabh Bachchan starrer Sye Raa Narasimha Reddy to release on October 2
After wrapping up two back to back projects – Chehre and Gulabo Sitabo, Amitabh Bachchan is taking rest before he kickstarts his next schedule of Brahmastra. But, meanwhile, his Telugu film Sye Raa Narasimha Reddy has a release date now. The film is set to release on October 2.
Chiranjeevi made the big announcement about his upcoming film during a magazine interview with his daughter-in-law Upasana Konidela. During the interview with wellness magazine B Positive, he said, “It has always been my dream to play Bhagat Singh. Despite being offered the role back in the day, I couldn’t play it for several reasons and it was later played by several of my counterparts. It was played by several actors across languages. I regret missing out on an opportunity to play the role because I don’t think anyone wants to make a film on him today.”
Sye Raa Narasimha Reddy is produced by Ram Charan and helmed by Surendar Reddy. The film stars Vijay Sethupathi, Jagapathi Babu, Sudeep and Nayanthara in pivotal roles. As Amitabh Bachchan explained in his blog, the film is a story based on the life of freedom fighter Uyyalawada Narasimha Reddy.
Imtiaz Ali shares a heartwarming tale of an auto-rickshaw driver who gave him free ride during Mumbai Rains
Every year, monsoon becomes a huge problem for the people in India. Many parts of the country are going through a tragic time with the floods. Mumbai rains have always been a problem. The travel situation becomes tough due to waterlogging. While many help others during such a situation, a heartwarming tale of an auto-rickshaw driver will restore your faith in humanity. Like every year, this year too Mumbai has faced heavy rainfall. But, recently, Imtiaz Ali shared a pleasant experience which even the netizens loved.
Taking to his Facebook account, Imtiaz Ali shared a photo of himself with an auto driver and wrote, “night walk in the rain! the auto rickshaw came along and asked if I wanted a ride. I refused, he asked again – it was raining and I was without cover. I had checked my wallet, I smiled at him and said I had no money. He looked at me and asked me to sit in, he would drop me without money. I asked him to carry on and get some other client and do his job. He said it was raining and I would get wet. He asked me to sit in, he would drop me. I sat and he drove. Soon a car stopped the rickshaw – it was a couple who wanted a selfie with me. The autorickshaw guy looked at me. He asked me if I was Imtiaz Ali. He said he would want a selfie with me. I told him I would want a selfie with him as well.”
Meanwhile, on the work front, Imtiaz Ali recently wrapped up the shoot of his upcoming film, Aaj Kal which stars Kartik Aaryan and Sara Ali Khan in the lead roles. The film is set to release on Valentine’s Day next year.
PHOTO ALERT: Janhvi Kapoor begins shooting for Kargil Girl in the freezing weather of Georgia
Janhvi Kapoor, who recently wrapped her Manali schedule of RoohiAfza, has begun work on her next film which is Gunjan Saxena biopic tentatively titled Kargil Girl. The schedule has begun the next schedule in the freezing weather of Georgia.
Taking to Instagram on Tuesday, Janhvi Kapoor shared a photo of herself wrapped in warm clothes since she was shooting in 7 degrees. Wearing a shawl and winter clothes, the actress seemed to be enjoying the freezing weather of Georgia. She has been sharing beautiful photos of the landscapes.
For the role of IAF Pilot, the actress had to gain 6 kilos. After the wrap up of the first schedule, the actress started working on RoohiAfza for which she underwent hectic training to shed 10kgs. Now, for the Georgia schedule of Kargil Girl, the actress had to gain muscle since she will be shooting some intense scenes.
Meanwhile, Kargil Girl is set for 2020 release. The film stars Pankaj Tripathi as Janhvi Kapoor’s father.
Saaho: Shraddha Kapoor looks stunning in this wine-coloured dress in the song ‘Enni Sohni’
Creating all the buzz by dropping sneak peeks from Saaho, Shraddha Kapoor recently shared stills from the recently released song ‘Enni Sohni’ and looking mesmerising as ever, the star has impressed everyone, yet again. Looking so beautiful, Shraddha was seen in a burgundy wine gown matched with dramatic silhouettes and dazzling black earrings. Giving us fashion inspiration and good vibes, Shraddha definitely steals the show with this look.
Hailed as the most liked personality in Bollywood, Shraddha never fails to capture eyes with her fashion choices ranging from ethnic to stylish and chic; you name it, she will nail it with her sartorial picks.
While the actress is witnessed hopping from one city to another for her shoots and her three big films, Saaho, Chhichhore and Street Dancer 3D, Shraddha travelled to various cities for her shoot schedules. This year is definitely a treat for her fans as she has two releases lined up Saaho alongside Baahubali fame Prabhas, Nitesh Tiwari’s Chhichhore.
Deepika Padukone’s unfiltered pictures from Vogue India are proof of her aesthetic beauty
Global icon Deepika Padukone is setting trends straight with her humongous fan base across the globe. Fresh out from the shoot of Chhapaak, the actress goes de-glam as she shines on the cover of a leading magazine on their August issue. Known today as a powerful global icon, the leading lady of Bollywood gives the world a new statement. The actress looks breath-taking in the latest pictures from the photoshoot giving us major fashion goals proving that she is the ultimate diva of Bollywood.
Raw beauty is how the magazine describes the actress and we couldn’t agree, donning pink metallic satin pantsuit which is accessorized with a diamond neckpiece and silver stone pair of heels. Glowing and in the sunlight wearing a shirt dress and teamed up with a green hat, proving it yet again that the actress can pull off any look with the utmost ease. Take a look at the pictures of all her looks for the photoshoot and we’re sure you won’t be able to take your eyes off them.
The actress is known for her versatile choice of films and her de-glam role for Chhapaak of Lakshmi is proof that the actress is a perfect blend of a critically and commercially proven actor who has essayed a variety of strong and powerful roles. Carrying a legacy of a diverse range of roles and making a striking entry at any event with a classy style statement, Deepika Padukone is the epitome of beauty. Apart from that, the dimpled beauty will also be playing the role of Kapil Dev’s wife, Romi Bhatia in the upcoming Ranveer Singh starrer ‘83. The beautiful couple will be sharing the screen for the first time since their wedding.
